Tag Archives: Lin Brehmer

108 Years in the Making

First, a bit of historical context:

November 4, 2016

As I write this, TV coverage of the Cubs victory parade and rally for their 2016 World Series win plays in the background. WGN-TV reports that six million humans are packed around the 6.7 miles of parade route from Wrigley Field all the way down to Grant Park.

If you don’t live in Chicago, you may not understand the fuss. Then again, you might. If you have Cubs fans in the family, or if you follow baseball, you will be at least a bit familiar with how loyal the north side club’s fan base is, despite 108 years that ensued between the last World Series win before 2016. You may have heard about the people who have bought Cubs’ wear to put on the graves of loved ones who lived and died without seeing their beloved baseball team win a World Series.

If you don’t live in Chicago, you also likely have never heard (arguably) the best radio DJ ever: Lin Brehmer at 93.1 WXRT-FM.

His Lin’s Bins segments, wherein he answers questioned emailed by listeners are things of beauty—often classic bits of poetry or philosophy I hold to my heart long after the segments have aired. My main issue with them is that they’re no longer available via podcast. If they were, you know I’d share a link to one of his Cubs related episodes here…maybe more than one.

Well, I can’t. I can only mention that the Thursday morning broadcast on November 3, despite Lin’s fatigue after what had to be the shortest night’s sleep ever before his usual 5:30 a.m. start, brought a tear to my eye. Multiple times. He and news director Mary L. Dixon (who shares that morning slot) are huge Cubs fans. Exhausted but thrilled, there was no way they’d miss their first chance to celebrate with their listeners.

In addition to the Steve Goodman classic above, they also played J.D. McPherson’s North Side Gal  and Eddie Vedder’s “All the Way,” which you can hear on the WGN site.

Loved those songs, and of course many others Lin played, all full of the excitement of this long-delayed victory. But my favorite part of the broadcast was the way he closed it. Lin and Mary have hosted a special Cub’s opening day broadcast for as long as I can remember. As they ended their shift, Lin paid tribute to the many fans he’d met in the stands over the years, naming them, and telling stories of how long and thoroughly they’d supported the team. And as Lin likes to do, there was a tiny thread of music under the narrative. As it swelled, it sounded like this. If you choose to click on this link, as you listen, imagine people you live among and love, and some who you have loved, but who have since passed away, and how it would feel to share a moment of happiness with them and say, six million other people who are feeling the same thing.

That is all.




In addition to his music, David Bowie was also reported to be a true gentleman; incredibly well educated in the arts, culture, and history; and genuinely interested in others.

I was lucky enough to see David Bowie Is when it was in Chicago, and my thoughts from that exhibition appear below.

Album cover shoot for Aladdin Sane, 1973
Design: Brian Duffy and Celia Philo; make up: Pierre La Roche
Photo: Brian Duffy
Photo: Duffy © Duffy Archive and the David Bowie Archive

This retrospective of David Bowie’s amazing career ran in Chicago from September 23, 2014–January 4, 2015. I enjoyed his music, but was not the world’s biggest fan of David Bowie before this exhibit. However seeing his archive gave me a new appreciation for the man. The range of his talent astounded me, but what struck me most about him as an artist was the combination of his fearlessness and his hard work.

The show includes 60 costumes, numerous storyboards, handwritten set lists and lyrics, and some of Bowie’s own sketches, musical scores, and diary entries. Chicago’s Museum of Contemporary Art has so far been the only U.S. venue for the exhibition, which was organized by the Victoria and Albert Museum, London. It is currently in the Groninger Museum in the Netherlands through March of 2016, and should be in Japan—though I don’t know where exactly—in 2017.

Of course, his music has been running through my head since his passing. I’m grateful for the music, acting, and design, of course. But what stays with me is all he did—and he was conscious and intentional about doing it—to promote “oddity.”

Whatever tolerance that’s finally being extended to people who don’t hew to a conventional, static view of gender or sexuality owes something to the courage David Bowie displayed decades ago.

Here’s the link to an entertaining conversation he had with Lin Brehmer of WXRT-FM in Chicago, which I’ve always enjoyed.